Monday, July 27, 2009

Don't Stop 'Til You Get Enough!


(Update: I have been listening to Michael Jackson's music for 20 of the 24 hours of the past four days in the car.)


I agree, the media coverage of Michael Jackson's death is insane. If I were in charge of CNN, I would mandate 24 hours of MJ-only news coverage following his death, sure, but I'm an irrational fan who should never, ever be in charge of a global news organization. It's been over a month. This. is. crazy.

However. What pop culture phenomenon has ever been this fascinating?

Take this lil' tidbit here:

"The prosthesis he normally attached to his damaged nose was missing, revealing bits of cartilage surrounding a small dark hole," the witness told the Mail.


This cannot be true.


I can only assume that whoever does not care about this also has no interest or natural curiosity in the bewildering mystery of such facts of nature as... black holes. He's our contemporary, but Michael Jackson is really as mystifying to me as King Tut. His death has just asked us to really try to come to terms for the first time with his existence in the first place, and I can't even do it.

Sunday, July 26, 2009

woolfy

I'm reading Night and Day, apparently Woolf's experiment with classicism, "in the vein of Austen's comedies of manners" as my book jacket says (yeah, like Austen...only weak). Reading it years after I first read Woolf's later, more experimental (modernist) stuff is more or less... superfluous. I'm so in love with To the Lighthouse that I doubt there is a paragraph that doesn't teach me something* each time I reread it, but this book is... empty. Why did you do this, Virginia? Why? It especially confuses me in light of everything Woolf says in her essay Mr. Bennett and Mrs. Brown about the importance of character-building, which I adore (and which some Sam-the-Eagle sort of people find convenient to pat on its adorable little head, but that is beside the point). Some might wager that it has to do with the artist's developmental trajectory (MFA students tell me that everyone has to write an embarrassing first novel and then throw it away), but I think she might have done it on purpose to fake us out. Because this was 1919. She had already written The Voyage Out. So, yeah. She did. Dang, Virginia.


Also: Is this the intentional fallacy? Well, in case you haven't heard, I've regained my beloved role as amateur reader.

Also: I'm totally above the intentional fallacy anyway, except in the case of Virginia Woolf because she has a face to me because of that stupid movie after that Cunningham novel and anyway I am going to be her for Halloween and I could probably channel her if I wanted to. I pretty much already look like this:





*Note: When I say "teach me something," I mean either a) teach me something about humanity/existence/the nature of reality or b) communicate beauty and usually c) both, and yes, this is all I care about in art.

FINE, world! I'm back.

This is so 2001.